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I actually believe you because me and DH were discussing this the other night about how we find it quite disturbing and highly suspicious that THEY, the POWERS THAT BE, are RUSHING into a decision about this bailout, just like they did about this current costly. Today while listening during my commute to Air, the levelheaded politicians from BOTH PARTIES are saying that this current bailout has FLAWS. THIS IS SERIOUS!!!!! Why can't we let the economists THINK on this before passing a? Why can't we be patient about coming to a rational solution? I sincerely doubt that this crisis was just sprung on to the POWERS THAT BE overnight. O sure it was sprung on the American public overnight. But I'll bet you that the government and Wall Street have known for months. Now all of a sudden after months, they wait until the last minute and push for a solution/the bailout overnight. Essentially this society is turning socialist. The banks be owned by the government. If you're right, then it doesn't matter how phone s or letters we send to Congress because they are not going to listen to us. WE BE FUCKED, even MORE FUCKED than we are now. I feel sick. What if we spin out of control and it costs 1, dollars for a loaf of bread? It's going to get VIOLENT. We're talking about serious poverty and widespread. People are not going to be nice about starving. It looks like this bailout is going to take place and I don't know how the hell we're going to ever get back on our feet again if inflation blows up. This is bad, really really bad. sexy spicy Fate Texas looking for fun
"They made millions and millions of dollars by bringing an Asian into Americans' homes every night," Altman said in. "I thought that was the worst taste." Altman never minced words about reproaching. After the Sept. 11 attacks, he said served as a source of inspiration for the terrorists by making violent action that amounted to training films for such attacks. "Nobody would have thought to commit an atrocity like that unless they'd seen it in a movie," Altman said. Altman was written off repeatedly by the establishment, and his reputation for arrogance and hard drinking _ a habit he eventually gave up _ hindered his efforts to raise money for his idiosyncratic films. While critical of studio executives, Altman held in the highest esteem. He joked that on "Go rd Park," he was there mainly to turn the lights on and off for the performers. The respect was mutual. Top-name would clamor for even bit parts in his films. Altman generally worked on shoestring budgets, yet he continually landed marquee performers who signed on for a fraction of their normal salaries. After the mid- s, the quality of Altman's films became increasingly erratic. His musical "Popeye," with, was trashed by critics, and Altman took some time off from film. He directed the Broadway production of "Come Back to the and Dime,," following it with a movie adaptation in. Altman went back and forth from TV to theatrical films over the next decade, but even when his films earned critical praise, such as 's "-," they remained largely unseen. "The Player" and "Short Cuts" re-established Altman's reputation and commercial viability. But other s films _ including his fashion-industry farce "Ready to Wear" and "Kansas City," his reverie on the s jazz and gangster scene of his hometown _ fell flat. Born Feb. 20, , Altman out in his teen years at the jazz clubs of Kansas City, Mo., where his father was an insurance salesman. Martinsburg girls pornLatina looking for NSA Latino not necessary. adventure dating
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